Friday, November 13, 2009

My stepfather, Norman Tate - Artist

Norm worked for Disney as an animator in the 1940's. He worked on many projects including Springtime for Pluto, Fantasia, and Pinocchio. Above is one of Norm's sketches of J. Worthington Foulfellow, aka Honest John, from Pinocchio.


This wood carving was done by Norm based on one of my Janice's life drawings.






A friend gave Norm some wooden boxes that had once held surgical instruments. Norm used them to create wooden dioramas. This one is a model of himself in his dinghy. He had built the actual Nutshell class dinghy himself, by hand, and named it Hazel.
Read more about Norm and see photos of him in Maine taken by Christopher Tate at:
http://webmentor.com/?page_id=17

Below is another example of Norm's carving....a Valentine gift for my mother.

Thursday, November 12, 2009

Norm Tate Enters the Picture - Love Blooms

Valentine Day gift from Norm to Janice - 1995
It was intended for Janice to store her wedding ring on the nail when not wearing it.
We added the chain recently so the ring would not get lost.
Janice settled into widowhood, busying herself with painting comissions and gallery shows. My youngest sister, Nancy, had been accepted to Farmingdale, and soon, young Philip would be the only child at home. Our house on Secor Drive was 20 years old, and seemed to need continuous repairs.
Norm Tate, neighbor and widower of my mother's friend, Ada Tate, could be called upon to help out from time to time. Norm was an energetic, intelligent, attractive man, and an art director at the Ted Bates Advertising Agency in Manhattan. He was an avid sailor, owning a vintage Hereshoff sailboat, his pride and joy. He was also a wood worker and artist in his own right. Norm lived just up the hill from us on Summit Terrrace, along wth Ada's mother who had been living with Norm and Ada for some time. His teenage twins, Blair and Jonathan were attending college.
I was living in San Francisco at the time and knew little of what might be developing, until, March of 1972 when I received the following letter:
March 22, 1972 Hello Kids! Old Ma, incredibly enough, had a DATE on Sunday. Old Norm Tate, who has been working up to it gradually. We drove down to the City in old Romney, Ada’s Nash (the potholes down there have had potholes). Saw an exhibit of Recent American painters at the Whitney. It was very good, a lot of it. Funny thing – there was one canvas that turned us both off + I mean OFF. Couldn’t quite put my finger on it, ordinary type hard edge, but the arrangement of forms + colors was just AWFUL. Came in closer + who was it done by, but Budd Hopkins, who once gave me an honorable mention for an abstract at a YAA show. We then took a stroll along Park (Wow, can he walk!!) Romney got stuck in a horrendous traffic jam on the way down to a cute little Italian restaurant near the UN. I forget the name of the main dish, a lovely noodle stuffed with something very good, pasta con brodo, a large antipasto, wine, no room for dessert: Afterward I saw some slides of Blair’s work which she did at Rhode Island. (She’s unbelievably terrific) and met the famous Boat, who is 50 years old and is being repaired in their garage after a major accident. I never realized that Norm used to do animation for Disney. You can see his name at the end of Snow White, Fantasia + others of the era. Also illustrated children’s books + now writes TV commercials. Unfortunately I can’t use this guy. He doesn’t know any more about cars than I do. Too bad, he’s very nice.

Wedding day photo of Janice and Norman taken in the backyard at 11 Secor Drive Norm may not have had the requisite knowlege of cars, but he had lots of other qualities that appealed to Janice. In fact, they were a perfect match! I was thrilled to discover that at 49, my mother was not too old to fall in love, and neither was Norm. Just over a year later they topped off their romance by getting married. One gets a sense of their whirlwind life in the letter my mother sent after the event:

Friday May 26 1972 Hi Kiddies! I’m downright ashamed at not having written to you for so long. It does seem as if I’m living two lives lately with half of the usual time to do it in. I’m hobbling today. Turned my right ankle for a change. Now they’ll match. Everything’s in bloom here. Azaleas, dogwood, etc.etc. Today it’s cold though. Nancy + the Senior class went to Jones Beach. On the eve of our honeymoon, my washing machine chewed up the pants to my favorite pants suit. It was not an ill omen, however. The honeymoon was perfect. We were married at 9:00 AM Friday by Justice Robert S. Roy in Irvington. Thought he’d never get to it – felt obliged to lecture us first on Sunnyside + Scotland at great length, but we finally made it. I couldn’t get his ring on + he had to take over. We then went across the street to the A&P, bought strawberries + cat food, came home, changed our clothes, got his tool box, + and went to DFHS gym to hang the annual Art Show, which I had promised Mrs. E... I’d do long ago + forgot to write on the calendar. We thought this might help our standing with Shirley, but it hasn’t. In + out of her cups - she is spreading far + wide her own opinion of this arrangement of ours, (how she can’t stand Norm, Ada is barely cold, I’ll be sorry, Poor Philip is suffering so). With Nancy standing right there in the Grand Union even. I think she’s gotten to Floyd, too. Yu may even hear waves of it on the West coast. Well, as far as I can see, the only suffering is from Shirley. Back to the honeymoon: We spent the first night in O’Brien’s motel with Inn. Our room had a balcony + a surprising view of the Chemung River valley (the same as Grandma paints). There were 2 O’Neill woodcuts on the wall + we bought one as a momento. Visited the folks Saturday, took them out to lunch and left south down the Susquehanna (new territory to me, below Townada) and arrived in Lancaster County about suppertime. Got tangled up in cloverleaves + bypasses, ending up in Lititz, a lovely restoration type town. Stayed at General Sutter Inn, then in the morning just drove around staring at old barns + things. (Norm, of course, left his camera in E. Athens. I don’t know what is going to become of us. You know I’m that way, too). The people were just like the pictures – there was a strange swinging gate to most of the horses, when viewed from the front. I later decided they were pacers. There were no stores open, it being Sunday, so no souveniers. Left for home around noon, + surprised ourselves by getting home (Manning + TR3 greeted us) in time to take Nancy, Phil, + David sailing (no wind, had to motor). Speaking of beds, Mr. T has acquired for us what must be the hardest bed ever made. The guy at Gimble’s said he wouldn’t dream of selling him a softer one. I guess we’ll get used to it. You feel as if you’re on a convex board. Gotta go paint. love to all + Floyd, ......(our cat) Ma (Norm says he’s getting fond of Iggy) ....Nancy's Hamster

Janice and Norm at Summit Terrace with Blair, seated.

Janice Paints Shirley Armstrong

Oil on Canvas - 24x20


I was thrilled to hear from Shirley Armstrong Huminck, of Sayre, PA, who was painted by my mother in the late 1950's. See below for her account the experience:



Angela Candela,

As I remember the year was 1956 possibly 1957. My husband Jack Armstrong was delivering something to Athens High School when he noticed two oil paintings by Janice Candela on display. The paintings were of a typical young boy and girl. Jack was happy to note that the artist was originally from Athens , Pa. He was really impressed by her artistry and began to inquire as to her whereabouts and found out that she was living in Dobbs Ferry , N.Y. Jack soon contacted the artist and informed her he would like her to paint my portrait. She agreed and said she would contact us over Thanksgiving.

At the time we were renting an old coach house on the Simmons estate on Lockhart Street in Sayre , Pa. I recall my first meeting with Janice that she was a beautiful women and her husband came with her for the sitting. I put on my very best dress, sat down and she looked at me from every angle and proceeded to take reference pictures of me. I put a smear of my make-up on a piece of paper and she also took a snip of my hair for her color references. When she asked me what colors I would like incorporated in the background I said red and she seemed very pleased with that request.

I was so excited. This was going to be my Christmas present. A few days later though I recall having a very bad dream…she had painted the back of my head! Needless to say, I was absolutely thrilled with her final result. There was only one drawback, when I would look at that oil portrait first thing in the morning and think “Oh man, I’ve gotta look like that today!”

It was the 1950s and my portrait was the nicest furnishing we had. We were just starting out and I remember our coffee table, a finished birch door from the lumber yard…..no hinges nor knob and the legs were cinder blocks painted white.

Our entertainment was an eight inch black and white television set with only one channel that came on at 5PM with Cowboy Bill followed by Howdy Doody and promptly off the air at 11PM. Somehow it didn’t matter. We were happy, we had a used sofa, coffee table and a lovely oil portrait.

Shirley J Huminik

Wednesday, November 11, 2009

Irene Candela and Yvonne

Sketchbook always at hand, my mother often drew friends and family members whom she visited. These sketches, even on lined notebook paper, are family treasures, as these sent to me by my cousin (first cousin once removed actually) Yvonne Candela Cooney. She is the child on the right and the glamourus woman on the right is her mother, Irene Candela, wife of my cousin Jo-jo. These were done ca. 1967-68

More Paintings by Moon

Thanks to Gary Watson, a painter and art instructor from Waverly, NY, for sending me these images of paintings by my grandmother. Gary has done many book illustrations and you can learn more about him at: http://www.jacketflap.com/profile.asp?member=garywatson




John Callear in Blue Suit - I suspect he was gussied up for the occasion of having his portrait painted and would have prefered to have been outside playing.



Herethal Wright in Goat Cart - Moon (aka Maizie or Maisie) had an eye for the offbeat in her choice of subject manner.

Below is a letter from Katherine Burns about the paintings:

Angela Candela,

The oil portrait of the young boy is John Callear and was painted by your grandmother "Maisie" Campbell probably late 1960's as he is about thirteen years old. His father Robert Callear is 88 years old and still resides in East Athens. Mr. Callear remembers your Mother Janice as she was a couple of years behind him in school. He may be able to fill in some gaps concerning your grandparents and your mother.

The goat painting was painted about 1944 and was also done by "Maisie". The goats, Maggie the black one and Mary the white one, were my husband Floyd's when he was a young boy. He had the goats during his elementary school years. Floyd's dad had a wagon and the halter and reigns were made special for the goats. The lady on the wagon is his Aunt Herethal Wright, a sister to Mr. Callear.

My husband and family grew up in East Athens as well as myself and my mother Mary Catlin Sackett. We lived about five houses from your grandparents house which is still as it was when your grandparents lived there. I can remember well your grandparents driving by my parents home in their Model T car. Most people who knew your grandmother knew her as "Maisie". She was the curator of the Spaulding Memorial Museum.

"Maisie" also did a painting of the old East Athens School. It had only about three or four rooms and may have started as a one room school house. She gave that to the East Athens Community Hall where it hung for many years. It now hangs at the Spaulding Memorial Library and Museum in Athens.

Katherine Burns


Wednesday, July 8, 2009

About Joe

Oil painting of my father done around 1950.
Joe Candela at Coney Island late 1940's

My parents very nearly did not meet. One summer day in 1946, Janice and a girlfriend were heading for Staten Island. When they got to the subway, there was a bus loading at the curb. It was a group from Danny's Bowling club, heading for an outing at Bayside Park, on Long Island, and some of the guys lingering outside the bus suggested that the girls come along. Declining, they got on the train, but after a few stops, decided to head back uptown to join the guys heading to Long Island.  Luckily the bus was still there.


In that group was my father, Joe, who had his young nephew Jo-Jo with him. Joe's mother had died in 1943 while my dad was in India serving in the Army. He was a sentimental sort, and wore his mother's wedding ring in her honor. One can hardly blame my mother for assuming that he was a married man. The highlight of the day at the beach was a rowboat ride. The small boat kept drifting farther and farther into Long Island Sound, so Joe took the oars and was able to save the day by getting them back to shore. Janice was impressed! So, began their courtship.





Joe and Janice on a date in one of my dad's first Fords



Joe was born in Grand Rapids, Michigan in 1922, the youngest of six sons, to Sicilian immigrant parents. When he was about 7 years old, he moved to New York City with his mother, his dad having run into trouble with the law during prohibition, was institutionalized, in Kalamazoo. His Uncle Vito was his father surrogate, sponsoring him at his religious confirmation. He attended school close to where they lived, on the upper east side, which was not the fashionable neighborhood it is today. He went to the Machine and Metal Trades High School on East 96th Street, where he made friends that he knew for the rest of his life.



Joe, bent over, 2nd from the right with his classmates from the Murray Hill Vocational high School. According to Uncle Harry, Murray Hill was highly esteemed, and Joe was as proud of having attended there as if it had been Harvard.


Joe, front row, on the left. He graduated from the Machine and Metal Trades High School
on East 96th St. where this photo was taken.




As a student he made a set of three copper pitchers. This was the smallest one.



I imagine that Janice must have had many admirers. I know that she always felt awkward and inexperienced...after all she was younger than many of her friends, having skipped two grades in school. Joe and his Italian-American ways must have seemed positivly exotic to my mother. She felt that she had to learn a new language. He'd want to go out to "Get a Beetz (pizza)" for instance, his uncle Vito spoke of going to "East Alamost (East Elmhurst)" in his heavily Italian accented English. Even though my dad did not speak Italian, his speech was influenced by those who did.







Joe and Janice photographed by friend, John Grabowski

In his sentimental way, he placed my mother on a pedestal, treated her with great respect, and won her heart. Her family was not thrilled with the fact that she seemed to be getting serious with a man who had only a vocational high school education, but once the wedding had taken place late in 1947, the Campbells gracefully accepted their new son-in-law, and were soon completely won over by his sincere enthusiasm and outgoing manner. What he lacked in education, he made up for in love for their daughter.


Jo-jo Candela, Joe, Janice and Uncle Harry (Harrison Campbell)
The Kitchen at 1189 First Avenue, l. to r. Leona Rem ( Janice's childhood friend) and me on the lap of Uncle Harry.

From Uncle Harry and Aunt Joyce, a description of the living arrangements at 1189 First Avenue:
-- We were there
quite a few times. It was a small place -- three rooms including the kitchen. No corridors. Your entered the kitchen (and yes -- there was the bathtub under its cover) and walked from room to room, the doors or passages being on the left. Your bed was in the middle room, as was a piano. Your parent's bed was in the next room, along with your mother's studio (on the right) and your father's sheet metal shop (on the left). We've debated -- probably this was one of those famous cold-water flats.
The apartment was on the second floor over a candy store! Just like the jokes about New York, your parents used the pay 'phone in the candy store, and occasionally they would get a call and somebody from the store would holler up the stairs. The back room looked out on an air shaft. The sun would make a short appearance once a day, a brief sliver of light, and you would excitedly announce it as to anyone who happened to be around. The apartment did have its own toilet, by the way, off the back room on the left. If pressed, I can provide proof. There was street life, of course. Your father seemed to know everybody on the block. He'd chat with some guy who was fixing his car, or someone who was getting the air or a shop-keeper. There was always somebody out there evenings and weekends.

Our feeling is that Joe must have been
pretty lonely when you first moved out to Westchester. When I visited your parents while interviewing in NYC I'd sleep on the floor in the middle room -- your room. You had some kind of bed that was considerably higher than my pallet. One night I awoke to find your hand reaching down to retrieve your blankets which had fallen down on me. After you fished up yours, you fished up mine, and then got a good grip on the slack of my PJ's. At this point we negotiated. Even then you had a long arm and a good grip.



My dad in his "workshop" at 1189 First Avenue

Joe had a creative gift for working in metal and wood. He could figure out how things worked and fix them. He and my mother collaborated on many projects. the largest being the design and construction of their new home in Dobbs Ferry. Sadly many of his other creative efforts went unrecorded.

According to Uncle Harry, the Campbell men puzzled over how to repair the failing barn foundation. Leave it to Joe to show up with a bag of cement. He went to work and fixed that deteriorated barn in a weekend! Joe ws a can-do guy!



This is me, sitting by a makeshift ladder as our house in Dobbs Ferry was going up. We spent every weekend there, assisted by many helpful family friends. The new home would have a large basement workshop, in addition to a garage workbench. Room for any project my dad could imagine.


The finished house from the backyard. It had rows of windows in the living room and basement and broad eaves to keep out the summer sun. The basement corner window was my dad's workshop window.



More comments from Uncle Harry:



Joe did not like to be idle.. Did NOT like to be idle. Your mother learned not to let Joe get into his clean clothes, etc., in advance of a social call or a church visit or whatever. When it was time to depart, Joe was likely to have spent the spare moments fixing the car or something and he and his suit would be a total mess. Probably not every time but it did happen accordinig to your mother.


Joe gave me a pair of Vice-grips for Christmas early in our connection. He believed Vice-grips were the most important tool one could own.







Our cat, Morgin, on the window sill in Daddy's workshop.





Joe made a set of these Craftsman style lanterns with Mica shades.

He once combined the front of a Ford with the back of a Plymouth. It actually ran and was refered to by us as the "Fordaplymouth".

From Uncle Harry:



This tale is not much but it adds to the general picture.As the reader knows, Joe's automobile back in the early Dobbs days was a convertible. The top leaked leaked and eventually wore out. Joe replaced it with a sheet metal -- sheet metal was his occupation -- he was a graduate of a well known and highly respected school that taught the tin smith trade at the high school level. The roof was an excellent job, truly. Joe made a trap door, so to speak, in the roof. He would take this off when whisking around Westchester County. When he went through an underpass he would check to see if anyone was looking down and if so, he'd give them a wave (to everyones great amusment -- the hand sticking up through the trap roor and waving!------ Don't know if this helps you form an image but this was Joe!!love -- Uncle H.



He loved cars, especially Fords, and had one of those big round Fords, he called, "Old Betsy". He knew how to work on cars and how to fix anything. He also loved to sing. Around the time he met my mother he was taking singing lessons from someone who claimed to have taught Frank Sinatra. Joe's singing career never got going, but he still loved to sing, and from him, I learned many of the standards of the Big Band Era.

"Daddy's Girl" at Grandma's in Athens, PA, with Daddy, and the new Ford.



Again at Grandma's. We called this, "Juicy Girl Sandwich"



From Uncle Harry comes a story about one trip back from Athens that reflects my father's outgoing nature:
The Yanuzzis were a very entrepreneurial family than operated a
fruit stand at the curves on Keystone Avenue in Sayre. And that gave the double curve its name -- "the banana curves".
The Candelas met the Yanuzzis when your father missed a stop sign in Sayre and collided with a pickup carrying two of the Yanuzzi brothers. You were on your way back to Dobbs after a week end in E. Athens. As your dad told it, there was a humdinger of an argument. At some point I guess they ran out of breath or something and one of the brothers said "Are you Italian?" Joe said yes, and they fell into each others' arms, at least figuratively. The brothers then gave you a tow to their place on The Banana Curves, and the three of them fixed up the car as only your father and his like could do. You and the rest waited, maybe ate bananas or whatever, then it was on to Dobbs.



He built a wooden coffee table in the shape of an artist's palette. Janice painted colored circles around the edge where the paint would have been on an actual palette.




Daddy made a special swivel table for the TV. We could turn it to face the living room or dining room...and there was a speaker in the base. That's Phil on the floor drawing.


In our backyard we had a circular train track with a small flat car one could sit on and ride by turning a hand crank. Using his metal making skills, he built enough track to circle the entire yard. In addition, he created an engine with an oil barrel in its side as the boiler. He fabricated a sheet metal cab. this was powered by a lawnmower engine. It never quite had the strength to pull much weight, but, painted a flat black, the miniature engine, was impressive to behold.



Our Michigan relatives, Aunt Helen, Cousin Marjorie and Uncle Joe Candela (my dad's adopted brother) in our backyard. Note the train track at their feet.




Daddy created these trellises out of sheet aluminum, assembled with pop-rivits.

In an earlier post, a drawing of the beds he made for us three girls. The mattress was placed on a chest three drawers high. The top drawer was a pull out bookshelf. At the head end, a high door served as a vanity table, and it swung open to reveal a large storage area behind.



Below, a photo taken at Wyalusing, PA. Baby Philip in Janice's arms and Grandpa holding the picnic basket. Behind them, Daddy's pride and joy....a 1959 Ford Country Squire Station Wagon. This was the car we took on our cross country trip the following summer. The only car my dad would have wanted more would have been a Lincoln Continental. He never did get one of those, but one Christmas my mother somehow managed to get a chrome plated Lincoln grill that she placed under the christmas tree.




I am surprised that I don't have more shots of this car. We were all very impressed with it. It was really fast! I remember my dad taking it up to 100 mph. on the open highway once. It did that speed with no problem. I seem to remember that he said it had a police engine.



Family group shot of Phil, Nancy, Me, and Marjorie.




Once , I admired a hutch/desk I had seen in Seventeen magazine. I don't think he had ever constructed such a complicated piece of furniture, but he made a very accurate replica of it for my bedroom.


The Mustang with its new tail lights.



As a Ford lover, he could not resist purchasing one of the new Mustang's when they came out. It was a bright red model 1964 1/2 and he was one of the first people in Westchester to own one. People remarked on it wherever we went. He was thrilled to be among the group of new Mustang owners who were taken to dinner by Ford and given Mustang tie-tacks.

At that time, Thunderbirds had long narrow "sequential" turn signals that flashed in the direction of the turn indicated. Joe realized that they would fit perfectly in the space at the back of the new Mustang, and ordered the lights from the parts department. He cut the holes out of the back panel and we spent a long time pouring over a very complicated wiring diagram, threading the wires through the sides of the car to the dashboard. Once the lights were in and working, we REALLY stopped traffic! He even wrote to the Ford Motor Company to suggest this modification. He received a perfunctory letter, but, sure enough a few years later, Ford took his advice.


Response to Joe's request for a wiring schematic for 1966 Thunderbird.


A noncommittal reply to Joe's letter suggesting sequential turn signals for Mustangs, and below, an article showing the new 1967 Shelby Mustangs with their T-Bird sequential turn signals....wonder where they got that idea?





Joe changing a tire on the Mustang. We spent many hours helping Daddy in the garage....pumping the brakes, handing him tools and running back and forth from the house with hot cups of coffee.
He created Christmas cutouts of sheet metal of Santas's sleigh and reindeers which he attached to the side of our house at Christmas. The brackets allowed them to be silhouetted by the colored lights he place behind. He also built metal Christmas candles about 5 feet tall that he placed on either side of the sidewalk by the mailbox. All these projects were done with the collaboration of my mother, of course.

When I went to college, I needed furniture for my unfurnished room. Daddy built me 3 versatile shelving units that I used as room dividers...one 6' wide and two 3' wide. They were not fine furniture by any stretch of the imagination, but so useful! I kept them through many moves and used them in a variety of ways.




The ever useful bookshelves used as room dividers in my Pratt dorm...and below in the living room of our San Francisco apartment.


My male cousins and guy friends loved to hang out with my dad, and, as he put it, "shoot the breeze". They enjoyed spending time with him in the garage working on projects. My friend Manning Stelzer, loved Triumph sports cars, and due to Manning's influence, Joe broke with his Ford tradition and in 1966, bought two Tr-3s. One to fix up and one for parts. The parts car was kept under a tarp on the east side of tha garage. We had a great time driving that little car all over Westchester county. Later he purchased an MG 1100, a boxy little car with about a 4" clearance from the road.





Me emerging from the Triumph ....Manning Stelzer in the background.


It did not have side windows, rather "side curtains" that could be manually dropped into place if needed. Not the car to drive in the rain, but a whole lot of fun any other time..

1959 - Joe and Janice in the driveway of Eleven Secor Drive.



Joseph Vito Candela June 1, 1922 - December 28, 1968

Wednesday, June 10, 2009

Early Seventies

Finding herself widowed at 45, my mother entered a bleak period in the Seventies. She had two girls in college , one about to enter college and a young son to raise. She continued her busy schedule of painting commissions, public demonstrations, and took on an occasional student. She rented my bedroom to a college acquaintance of mine, doing her best to make ends meet.



This beautiful portrait of my sister, Nancy, took first prize at the Hastings Womes's Club.

Below two pages from her "Jobs" notebook, showing two good months. She took in $20- per week for renting my bedroom, and gave individual art lessons at $3- per session. She also received a bonus from her agent Z (Mr. Zeltzer) on Dec. 8, and sold several paintings through galleries.



August, 1972 was grim, but things ppicked up in September when she got deposits on two paintings and was paid for teaching a class.


Janice took advantage of the many outdoor art festivals to show her work and do quick portraits.



An "Impression" of my ex-husband, Jonathan Manheim, 1971.

In 1970, my sister Marjorie married Donald Winter, whom she had met at Farmingdale State College, on Long Island. In October of 1971, I married Jonathan Manheim, and moved to San Francisco, so two of her children had become independent, easing her burden somewhat.

A group shot taken before Jonathan and I moved to San Francisco in Novemner of 1971.

left to right, Jonathan Manheim, me, Phil, Janice, Candace Winter, Marjorie, Donald Winter.


It should be no surprise to know that she found great enjoyment in painting and sketching.

Janice could do anything. Above is a rendering she did of a proposal for the Dobbs Ferry Public Library on Main Street

Cat on the trellis behind the garage.
When Nancy went away to college at Farmingdale, Janice found herself parenting a growing son whose activites, much different from those of her daughters, were chronicled in a series of exuberant paintings. One might call them the "Sneaker Series"








For a time Phil had a paper route.